Here you can see the same file with the caustics off and the "lava lite' removes so the type extruded back into the darkness.
This version has a mesh-smooth applied along with a soft rounded feel or cast look to the type with procedural textures used with Darktree shaders.
This 3D logo version I built about 10 layers of floating plates to make up the extrusion with a brushed aluminum finish.
This Logo has a 3D cut along the back to angle the type to sit on a reflective surface, also done in a Gold material.
For this variation on the 3D Logo for The Phantom Planet, I curved the face to wrap the lighting and reflections around.
We then explored some 'cool" looks so I redid the top logo in a cool blue/green world so all the colors of materials and lighter were modified for this "alt".
For this 3D logo I designed, took a flat plate and built a neon line file around the back to set if off the page.
A sharp extrusion back in brushed metal.
For this Logo Concept idea, I used the soft rounded version for the material has defects and was not to feel machined out , but cast or poured.
The Phantom Planet DVD Re-release 3D Logo Design
Client: Legend Films via The Cimarron Group.
Art Director(S): Darren Keller Andy Marciniak.
Project Date: June 5th, 2008.
Sometimes I am given just a single Illustrator file to work with for a locked Logo design, like I was given for the DVD and Blue Ray release of The Phantom Planet [1961]. However, I have a great deal of creative room in 3D, because I can go beyond a mere flat extrusion, which is the simplistic and most elementary way of making type 3D.
When asked for this I ask how many variations are wanted, since one file, has endless ways to extrude, bevel, single point bevel, model , melt, bend , twist or adjust.
For this project I was tasked with a metal 3D Logo with a bit of variation from a cold space look to a hot fire explosion feel to the metals. I was given the single illustrator file and I did these 10 Logos in about 3 Hours.
Some designs, I cut across the front surface of the model, and curved the face back, or cut an angle in the rear to simulate an hinged rotation. All in all, this was a 'fast-n-fun' exercise for a 3D Logo design within a quick 2-3 hour turn around, which seems more often than not to be the basic structure of Theatrical Advertising.
Cheers, THOM
When asked for this I ask how many variations are wanted, since one file, has endless ways to extrude, bevel, single point bevel, model , melt, bend , twist or adjust.
For this project I was tasked with a metal 3D Logo with a bit of variation from a cold space look to a hot fire explosion feel to the metals. I was given the single illustrator file and I did these 10 Logos in about 3 Hours.
Some designs, I cut across the front surface of the model, and curved the face back, or cut an angle in the rear to simulate an hinged rotation. All in all, this was a 'fast-n-fun' exercise for a 3D Logo design within a quick 2-3 hour turn around, which seems more often than not to be the basic structure of Theatrical Advertising.
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