My first crown design alternated the firearms to create visual gaps to match an actual crown that would typically have points.
This Clay Shader Screen Grab showing the wire-frames of this file I built from a higher angle.
This Second crown design spaced out the firearms to create visual gaps and had a band-ring made up of a variety of ammunition that I had from prior projects as well. I also sell the models for those online for $35.oo at TurboSquid Stock Models.
This is a Clay shader Screen grab showing the wire-frames for this second design I built out in 3DSmax at a slightly elevated angle.
This second Screen Grab of that design is a close up on the model details as you can see that the hand-grip was modeled, and not mapped. The 3D Bullets are all Sub-D built.
This Third crown design spaced out the firearms in a circular array with the objects rotated to interlock and space them out.
This Third Design Screen Grab is closer on the model at an elevated angles showing the full 360 nature of the model. I frequently build the files like this as I am asked to proved them to Motion Graphics artists for MGFX Trailer work.
This Fourth crown design snugs the object much closer with less gap between them.
Moving forward I am reviewing the 3D logos built into a firearm for a Secret Service Agent. This is a sheet of preliminary designs I rendered out at a smaller resolution to get feedback without breaking the budget prior to more direction.
Another Clay shader Screen grab showing the wire-frames from the preliminary design work at a 3/4 lower angle.
Clay shader Screen grab closer to the Camera View showing the wire-frames. I love the multiple stacked Kingsmen on the grip texture it emulates.
Clay shader Screen grab with the wrapped text on the silencer at a low angle showing the depth the text is going into the main model to get those deep shadows as the file is extruded more.
Clay shader Screen grab closer to the Camera View wrapped on the frame and silencer here.
A much simpler design with different versions of fonts to render on the same file.
A bit bolder and brighter with the font on this one for better legibility in this larger render
A low 3/4 angled view of the above design showing off the dimensions a bit more.
Large Text over the frame of the firearm covers it almost entirely.
The final design I curved the text on the silencer to conform to the cylinder shape. You just cant beat a curved surface to get the best value contract in the lighting.
Project Review
The Kingsman: The Secret Service 2013- Firearm Logos and King's Crowns
PART II
Client: 20th Century Studios via BOND
Project Date: June 2013.
Direction: Patrick Dillon.
This is my second post for the work I did for Patrick Dillon at BOND, and today I am going to review my firearm based logo's and King's crowns I was directed to create for the franchise, The Kingsman: The Secret Service.
I was provided ample direction and vector files for the typeface work so I could begin the project. As a concept artist I can start from nothing or from just a little, to full direction, it's up to the client.
I have been building firearms going back to the Glass Walther PPK I did for the James Bond franchise going back to my time at BLT Communications when I began in Key Art in 2001. I have more than a few 3D Models of Firearms and weapons that I have built, and for this project I used many assets including the Dessert Eagle and a Beretta I made. These were built with BREP objects that are NURBS from nPower Software based builds, so not a Sub-D build in Quads.
This work did not make it to finish for the final Key Art, but I continue in my craft for each assignment I get the privilege of working on.To visualize in 3D is a challenge in composition and lighting and I love what I do, do it is a win for me.
I will be posting more Key Art 3D Illustration and 3D Logos I did for this The Kingsman: The Secret Service for BOND in future blog posts here.
-Here is a link to PART I: covering 3D badges and Emblems I did.
I am back to full time freelancing as I await the US Job market to
pick back up, so big or small I would love to assist you in any 3D
visualization work for your projects. My Linked in Profile button on the
right column has all my contact details in there along with in my experience section.
Cheers, THOM
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